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🔥 The Age of Consent (album) - Wikipedia

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Lyrics to 'Love And Money' by Bronski Beat. Work for money spend money / Spend for love love for money / Pain and love love and pain / Pain and lust lust for money / Love and money / Love and money / Click to Play!

Hundreds & Thousands is a remix album by Bronski Beat released in 1985. The compilation was assembled after lead singer Jimmy Somerville's departure from the band, combining tracks from what would have been the next single with new remixes of four tracks from The Age of Consent. It was the last Bronski Beat album to feature Somerville's vocals. Click to Play!

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Check out Love and Money by Bronski Beat on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Click to Play!


Bronski Beat - The Age Of Consent (Vinyl, LP, Album) | Discogs


Lyrics for Love and Money by Bronski Beat. Work for money spend money Spend for love love for money Pain and love love and pain Pain.
Complete song listing of Bronski Beat on OLDIES.com. Love & Money (Scandall 'N' Ros Remix) 4.. Bronski Beat also appears in this compilation.
Lyrics to Love and Money by Bronski Beat from the Age Of Consent/Platinum Collection album - including song video, artist biography, translations and more! Login .


Bronski Beat - Love & Money (Vinyl Video)


The Age of Consent (album) - Wikipedia Love and money bronski beat


Check out Love and Money by Bronski Beat on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.com.
Pain and love Love and pain Pain and lust Lust for money Love and money Love and money Exploit for money Kill for love Love for money Exploited love Love and money Love and money Burning me up Ooh, it's burning me up Burning me up Ooh, it's burning me up Work for money Spend money Spend for love Love for money Money is the root of all evil.
Listen to your favorite songs from The Age of Reason by Bronski Beat Now. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Download our mobile app now.



Bronski Beat - The Age Of Consent (Vinyl, LP, Album) | Discogs


love and money bronski beat
Watch the video for Love and Money from Bronski Beat's The Age of Consent for free, and see the artwork, lyrics and similar artists.
Lyrics to 'Love And Money' by Bronski Beat. Work for money spend money / Spend for love love for money / Pain and love love and pain / Pain and lust lust for money / Love and money / Love and money /

love and money bronski beat This article is about the Bronski Beat album.
For the legal concept regarding sexual activity, see.
For other uses, see.
This article needs additional citations for.
Unsourced material may be challenged and removed.
This was love and money bronski beat only album released by the band to feature Somerville, who departed the band in 1985.
See also: and By 1984, many European countries had reduced the for homosexual acts to 16, but it remained at 21 in the United Kingdom, having only been partially decriminalised in play scratchers online and win money />The wording of the legislation to decriminalise also included wording that placed restrictions such as making illegal the use of a hotel room for sex.
Homosexuality was further stigmatised beyond the restrictions placed on homosexual individuals, and was a danger to gay individuals.
Against this background, Bronski, Steinbachek, and Somerville met in Brixton in 1983, and soon formed Bronski Beat.
They signed a recording contract with London Records in 1984 after doing only nine live.
The first single, "", was recorded at The Garden studio owned by former link and mixed at Maison Rouge studio, both of them based in London.
The song "Heatwave" features the tap-dancing rhythms of.
The inner sleeve of the album contains the different international ages of consent for males to engage in gay sex, but this was removed from the United States release of the album by after sales and radio play were reportedly lower than anticipated because of this little-known information.
It is a poetically poignant, soul searching composition addressing homophobia, loneliness and family misunderstanding.
It this web page been described as perfectly encapsulating "the experience of being young and gay in the '80s".
It was accompanied by a video of Jimmy Somerville with fellow band member friends Larry Steinbachek and Steve Bronski, who, while at a public swimming pool and changing room, are attacked and by a gang of homophobes.
Somerville is returned to his family by the police; he leaves home alone and has a reunion with friends Steinbachek and Bronski, travelling to a new life on a train.
The band had the telephone number of the London Gay Switchboard telephone support and information for gays and lesbians in central London etched into the inner groove of the 12" vinyl version.
Sleeve cover art was by Gill Whisson.
The song opened with a questioning vocal by Somerville and the shattering of breaking glass.
Released in September 1984, the single made the top 5 in the UK.
The promotional video opens with Steinbachek and Bronski buying artificial bombs and a small statue of 's in a mad supermarket.
At the checkout, because they arethe assistant telephones the management to enquire whether they can pay for the items.
Meanwhile, Jimmy is singing behind a counter love and money bronski beat sausages and love and money bronski beat and, seeing the dilemma in progress, starts complaining to the checkout girl.
All three are arrested by "the thought police" and made to appear for trial before a puppet court and senile judge Jimmy's father in "Smalltown Boy" The band members are sent to a workhouse.
From the workhouse, Jimmy rises up into the air and confronts "God".
The workers revolt, and strip the thought police of authority and clothing.
The band members are placed on pedestals, before "God" transforms all three of them into statues of salt for their alleged sins.
The video extras were mostly friends of the band; they went on strike during the video shoot, due to the excess labour endured by them in the production.
The "Smalltown Boy" and "Why?
The song is dedicated to the memory of playwright Drew Griffiths, a victim of a homophobic murder in 1984.
The sleeve cover art was by Robert McAulay.
The track featured Arno Hecht from The Uptown Horns on solo clarinet and the openly gay male choir from London, The Pink Singers.
It was recorded at The Garden studio, London and Skyline Studios, NYC.
The promotional video featured Jimmy and Larry as inmates in a with Jimmy and "Martin" the "thought police" actor from "Why?
Steve plays a closeted prison warden who has a keen eye for one of the other prisoners.
The cover sleeve art was a parody of with Dorothy having the head of the devil.
A version of the medley had already appeared on the "Age of Consent" album, combining 's seminal disco classic "" with 's "", which had topped the UK charts in 1961.
For its single release, former singer was enlisted to duet with Jimmy Somerville, and another disco song, "", was added as the intro and coda.
The single also featured a new backing track that was more -oriented and catchy than the original album version.
As with the band's previous single, the choir providing backing vocals was The Pink Singers.
Cellos were played by Beverly Lauridsen, Jesse Levy and Mark Shuman.
It became a big hit in the UK, entering the Top 10 in its second week on chart and peaking at number 3 for two weeks.
John Dougan of retrospectively described the album's songs as "compelling vignettes about the vagaries of life as a gay man" and The Age of Consent as "simply a great album, period.
Title Writer s Length 1.
Full 12" Version " 7:46 CD 2012 re-release additional tracks No.
Title Writer s Length 11.
The People's Songs: The Story of Modern Britain in 50 Records.
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Archived from on 15 March 2012.
Retrieved 1 March 2012.
Archived from on 15 March 2012.
Retrieved 2 March 2012.
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Wikipedia® is a registered trademark of thea non-profit organization.


Marc Almond & Bronski Beat - I Feel Love


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Bronski Beat: The Age Of Consent. The dour 'Love and Money' is another highlight as is the punchy single 'Small Town Boy' the ideas and messages on this record.


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